Auch sein neuer Film, Auslöschung, hat für viel Wirbel in der Branche Aufbereitung vollführt auch der Soundtrack eine Reise ins Abstrakte. »Auslöschung«(Originaltitel:»Annihilation«) basiert auf dem Roman von Jeff Für den Soundtrack zeichnen sich wie schon bei»Ex Machina«Ben Salisbury. Annihilation (Original Motion Picture Soundtrack). Veröffentlicht: Autor/Komponist: Benjamin Salisbury, Autor/Komponist: Geoff Barrow. Laufzeit: .
Natalie PortmanInside Llewyn Davis (Original Soundtrack Recording) Love Is the Drug. Carla Gugino & Oscar Auslöschung. Science-Fiction und Fantasy. Star Wars. Annihilation (Original Motion Picture Soundtrack). Veröffentlicht: Autor/Komponist: Benjamin Salisbury, Autor/Komponist: Geoff Barrow. Laufzeit: . "Auslöschung" (Originaltitel: "Annihilation") basiert auf dem Roman von Jeff Für den Soundtrack zeichnen sich wie schon bei "Ex Machina" Ben Salisbury.
Auslöschung Soundtrack Subcategories VideoModerat - The Mark (Interlude) - EXTENDED - Annihilation Soundtrack
Benedict Wong Lomax. David Gyasi Daniel. Sonoya Mizuno Humanoid, Katie Med Student. John Schwab Paramedic. Alex Garland Director. Alex Garland Screenwriter.
Scott Rudin Producer. Andrew Macdonald Producer. Allon Reich Producer. Eli Bush Producer. David Ellison Executive Producer.
Dana Goldberg Executive Producer. Don Granger Executive Producer. Jo Burn Executive Producer. Best-Reviewed Movies by Genre March 26, Full Review….
December 15, Full Review…. October 9, Full Review…. September 2, Rating: 3. View All Critic Reviews Oct 28, It helps to have an open mind and just let yourself go with the flow of the story Meanwhile just lean back and enjoy the outstanding visual effects, cinematography and sound design.
Mark B Super Reviewer. May 20, Annihilation's underlying themes, innovative sci-fi scheme and strong performances from Portman and cast leave audiences befuddled yet mesmerized at the complexities and even the ambiguity of its conclusion.
Eugene B Super Reviewer. Mar 31, Starting as a moody sci-fi and taking turns into horror and ending in a realm akin to A Space Odyssey, Annihilation is a weird journey.
Did I like it? For the most part, yes. There's some weird pacing choices, sometimes for the better making you feel as disjointed as the characters and not knowing what to expect, but other times there are moments that seem to drag in weird ways or weird bits of explanation.
To the latter, we know from the get-go that Natalie Portman is the only survivor of the expedition through a narrative through line of her telling this story to scientists, which does dissolve some of the tension.
It's weird choices like that which I can't ignore and keep this movie from perfection. But on the other hand, god damn is it beautiful and spooky and horrifying and wonderful and just so much.
One moment it'll be disturbing and awful, the next it will be amazing and dreamlike, and that's kind of the point. There is an amazing dreamlike quality captured both in the visuals and the narrative that really is amazing.
I really can't deny I was genuinely intrigued the whole way through, and there were some scenes especially one with a bear that I was completely gripped by.
It's wildly original, and damn it all it takes risks and we need that in our sci-fi. It's an imperfect, but wildly original sci-fi film that still deserves attention.
Michael M Super Reviewer. Dec 05, A thought-provoking science fiction drama, Annihilation is full of suspense and intrigue.
After her husband returns from a secret mission in critical condition Lena volunteers to continue it by joining an expedition into an anomaly called the Shimmer; which is gradually expanding and from which no one has returned except her husband.
Starring Natalie Portman, Jennifer Jason Leigh, Tessa Thompson, and Oscar Isaac, the film has a strong cast that gives solid performances.
Natalie Portman turns in a great performance she carries the entire film and Jennifer Jason Leigh gives a reserved and underplayed angle to a well worn out archetype.
The side characters however, like Gina Rodriguez and Tessa Thompson, are mostly annoying and sometimes border on being simply bad.
Oscar Isaac is very good. Most of the technical choices are good. The cinematography isn't particularly flashy but it captures the world behind the shimmer in all of it's messed up glory the last twenty minutes are truly a thing to behold.
The music choices are also a mixed bag. Soft strum guitar comes in at random intervals and doesn't really work, but the dark, brooding thump of a certain synth track really gives you a sense of cosmic horror.
I don't want to spoil anything, so I'm going to leave it at that. Go support this movie, even if it isn't perfect. There are so many great things about it that they way outweigh the flaws.
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