Relatos Salvajes / Wild Tales / Jeder dreht mal durch! (OmU). (Damián Szifrón, Argentina, , minutos). Con / mit: Ricardo Darín. Leonardo Sbaraglia en "Relatos salvajes" de Damián Szifrón () Marcelo Stiletano | LA NACION Foto-La Nación Relatos Salvajes: primer paso hacia el. Die argentinische Filmproduktion Wild Tales – Jeder dreht mal durch! (Originaltitel: spanisch Relatos salvajes) ist eine schwarze Drama-Komödie des.
Relatos salvajesLeonardo Sbaraglia en "Relatos salvajes" de Damián Szifrón () Marcelo Stiletano | LA NACION Foto-La Nación Relatos Salvajes: primer paso hacia el. Wild Tales (Relatos Salvajes). Jeder dreht mal durch! Die Passagiere in einem Flugzeug stellen fest, dass sie alle die gleiche Person zu kennen. Eine Kellnerin. Die argentinische Filmproduktion Wild Tales – Jeder dreht mal durch! (Originaltitel: spanisch Relatos salvajes) ist eine schwarze Drama-Komödie des.
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Snyder Relatos Salvajes hier also die Weichen zum Zombiefilm der Neuzeit (besonders gut erkennbar bei Astra Einstellen Suck Me Shakespeer 3 Z). - NavigationsmenüInformationen zur Formatierung Plowdiw Text findest du im Artikel Text formatieren.
However, the guilty son says that he wants to confess to the crowd gathered outside the house. Frustrated, the father calls off the deal, telling his son to confess.
The lawyer renegotiates and the father agrees on a lower price. She confronts him as they dance in front of everyone, and runs off in distress to the roof, where a kitchen worker comforts her.
Ariel discovers Romina having sex with the worker. She vindictively announces to him that she will sleep with every man who shows her interest, and take him for all he is worth if he tries to divorce her, or when he dies.
They return to the party and continue the festivities. Romina pulls the woman Ariel slept with onto the dance floor, spins her around, and slams her into a mirror.
She insists that the photographer film Ariel and his mother weeping, declaring that she will show it at a future wedding.
Ariel's mother attacks Romina but is pulled off by her husband and Romina's father; Romina collapses out of sheer emotion.
Ariel approaches Romina and extends a hand. They dance, kiss, and begin to have sex by the cake as the guests leave. However, Szifron thought that grouped they would have more impact so he decided to "reduce the conflicts to its minimum and find their climaxes.
The humor is a consequence of what these characters feel in a very dramatic situation. All stories are very different; production designer Clara Notari said "They have their own visual identity, as if each were a different movie, with its own spatial dimensions, colors, style, textures and set decoration".
He asserted that "they are independent stories, with separate independent characters and conflicts". For the albums, the tracks, although a unity, have their "own identity"; during a circus spectacle there are different acts that have value for different reasons but they are one whole.
Each one of the main cast members were considered by Szifron to be main-role actors that are rarely seen in the same film.
Despite the clear common theme of violence and vengeance,   what connects the accounts, according to the director, is "the fuzzy boundary that separates civilization from barbarism, the vertigo of losing your temper, and the undeniable pleasure of losing control".
Szifron considers the main difference between humans and animals is the capacity one has to restrain oneself, as opposed to animals who are guided by their instincts.
Humans "have a fight or flee mechanism, but it comes with a very high cost. Most of us live with the frustration of having to repress oneself, but some people explode.
This is a movie about those who explode". It deals with "daily life" aspects and "is a movie about the desire for freedom, and how this lack of freedom, and the rage and anguish it produces, can cause us to run off the rails.
The film is said to feature a "political anger"  and "political subversiveness,"  and, according to La Capital , it has sparked debates about its "sociological and political side.
Appiolaza said the film shows both structural violence and specific violence towards school and work and among couples, as well as different types of discrimination.
He concluded, "the theme of the film is the inequality that arouses violent reactions". He affirmed that in reality the main victims of social violence are the poorest people, "So the film is light years from reflecting the universality of that theme".
Several reviewers interpreted the film as a critique of "21st-century Argentinean daily life"  or "a backdrop of 20th century Argentine oppression".
Claudia Puig of USA Today said that it explores "the dark side of humanity and the dehumanization of society",  while Michael O'Sullivan of The Washington Post felt it was "a sharply observed case study in human nature.
Burr stated it has a "masterful sense of cinematic storytelling",  while O'Sullivan affirmed "Szifron handles the tone and presentation masterfully".
Scholz, said "The film pulls us in from the start until the end". Although he commented each story tone is different, Scholz stated the "tension The humor was called "a subversive [one] that manages to be both psychologically astute and all-out outrageous" by Jay Weissberg of Variety.
Henry 's work,  as did Chris Nashawaty of Entertainment Weekly because of its "ironic twist endings". Weissberg commented that while "the overall enjoyment rarely flags", "not all the episodes are equally successful".
Coyote cartoon,   and was said to have slapstick touches   and to be "Tarantino-esque". Coyote cartoon" by Liam Lacey of The Globe and Mail.
The New York Times reported that it became "a genuine social phenomenon" and that some characters gained a cult status. For example, it inspired "I am Bombita" to become a catchphrase similar to " going postal " in the United States.
Rivas, from the last story, said she has been stopped in the street and asked several times to say "Film this for me, Nestor! After the crash of Germanwings Flight , BFI and Curzon cinemas modified their home cinema listings of this film stating that there was a similarity between the fictional crash at the start of the film and the real Germanwings crash.
The film debuted on 17 May at the Cannes Film Festival ,  where it was selected to compete for its main prize, the Palme d'Or ,  and had a ten-minute standing ovation.
From Wikipedia, the free encyclopedia. Cuando pasan por un peaje, miran para abajo. Y si quieren comprar algo pagan en efectivo,.
Pase, por favor. Cuando va al garaje, descubre al casero,. Apague, no es necesario. Nunca antes hubo un problema y es padre de dos hijos.
Agarre el volante. Es un milagro que haya atropellado a una sola persona. Ya les pedimos que bajen.
No, todo bien. Un palo. No, un responsable tiene que haber, Mauricio. Pero eso es por otras cosas, Mauricio, estos no son honorarios.
Estuve a punto de darle mi camioneta a tu mujer y a tu hijo. La historia que armaron se respeta tal cual. A usted y a los miembros de su familia.
Afuera se va a encontrar con la prensa, con gente indignada,. Dice que quiere confesar, que quiere salir a la calle. Por favor, decile algo.
Por favor. Vamos, Santiago. A partir de ahora usted va a ser el nexo entre nosotros. Voy a necesitar dinero en efectivo para gastos operativos,.
Debemos estar atentos a cabos sueltos que puedan aparecer. No tengo inconveniente en pasarle ese dinero el lunes,.
Eso digo yo. Por favor Mauricio, lo que explica el fiscal es razonable,. Ponelos vos entonces. Que salgan de tu parte. Si quieren avanzar, hay que avanzar ya.
Me parece perfecto. Mauricio, calmate. Tengo algo importante para decirte. Mauricio, te recuerdo que hay dos muertos. Si a Santiago lo llegan a encontrar culpable.
Si te los puede pagar Yo no tengo nada que ver. Sos un pan de Dios. Bueno, creo que tenemos una propuesta superadora. Si les va, bien. Y si no, su ruta.
No te hagas el inocente. Le di unos consejos Muchas gracias. Bueno, esa es la mesa de los chicos del country.
No, no me saques el vino Y es raro que ahora llamo y atiende esta chica, Lourdes. De verdad te digo. Que con todas las empresas de celulares que hay.
Sobre todo si nunca los presentaste. Dame una respuesta, si no le pregunto a ella. Mi amor, basta. Si es tu hombre Ah, bueno Estamos casados, legalmente casados.
Voy a divulgar por Facebook todos tus secretos,. Vas a padecer tantas humillaciones,. No hay problema. Lamento mucho todo lo ocurrido, igual la fiesta estuvo maravillosa.
Solo pregunto si tiene una buena obra social. Romi, querida. No, no Vengan, chicas. Tuve un momento de mierda, pero bueno,. Demostremos que todo esto es mentira.
Dejemos que la gente se vaya yendo. It was amazing, one of the best movies I've seen on big screen in 2 or 3 years. Plot consists of different stories which all have one thing in common: they are about revenge.
Every single story starts rather boring. At the very beginning I was thinking "What's so wild about it? It is just lame" and by the end of the intro I was like "Holy God!
No, they did not just twist it like that! A true masterpiece. I am from Russia so for me it was rather interesting and surprising that Latin America is so similar to Russia.
The views, the behaviour of the people, the insanity - all like at home. You won't regret seeing this movie.
Don't take your kid or your grandmother though. Perhaps the best omnibus dark comedy ever made. This movie is funny, it explores some of the darker parts of humanity but it does so with so much wit and intelligence.
It was a great hit in South America, and understandably so. Despite dark and cynical take on the human condition, the movie is lighthearted and highly watchable, and uncompromisingly original.
While mostly disastrous the film is also WILDly thrilling and wholly original in its daring cheekiness It is a film about a myriad group of people on a plane; a young waitress who still finds herself grieving over a family tragedy of the past; an encounter between two men from different social classes on a desolate highway; a man growing tired of the rat race of life in which we are all destined to lose; the aftermath of a horrible automobile accident; and a wedding reception like none you've ever seen before.
All feature one or two characters taken to the edge It is how each of them handles their various situations that give us our WILD stories.
Fascinatingly grim at times, the film almost always miraculously produces laughter and grins. While the film is most definitely tragic in many instances, Wild Tales is a comedy of errors about human nature and who we are.
Some can watch this and most-likely not pick up even a hint of humor; but it is there Wildly thrilling.
Wildly fun. Wildly original. It is courageously wild. They perfectly combine thriller, drama, humor and the common topic is the violence. Each tale is independent from the other, but all of them have something special that makes you really enjoy.
The situations introduced in each story are actually based on real life, of course the are intentionally exaggerated with a sense of satire and irony that really makes you laugh.
Wild Tales Relatos Salvajes is perhaps the darkest and funniest movie I saw in years; but is it really a comedy?.
No it is not. Six tales about human that are obviously related to the Argentinian reality abusive government, corruption, people indifference but certainly can be applied to many other countries in the world; USA included.
Telling about each tale will cut the impact and somewhat surprise of each one. As always happens; some histories are better than others; but even that will be different for different viewers.
In brief; an excellent movie that deserves to be seen by people with a brain and a will to think. WilliamCKH 26 February I had an idea from the opening credits that Damian Szifron's WILD TALES, was going to be fun.
Images of animals with the actors' names as counterpart, preparing the audience for the animalistic behavior about to come. The film is comprised of six separate vignettes, short stories, if you will.
These vignettes all begin innocently enough, passengers boarding a plane, a man driving through the desert, a restaurant on a stormy night, a wedding, everyday slices of modern day life.
Something occurs to break the routine, the main character responds, then the scene escalates, and escalates, and when you think you've reached the peak, it escalates even more, and finally in the end reaches a perfect balance of comedy and tragedy.
The tales are all perfectly relatable and escalate logically and realistically, nothing comes out from left field. All the characters, each flawed in so many ways, remind us so much of ourselves, both at our best and at our worst Great Movie.
This Argentinian movie was released in my country Chile on last Thursday, and since i heard very good comments about the movie i decided to go to a Cinema at Parque Arauco in Chile and this is what i wrote about it: The film is split into six unconnected stories, watching each story is around minutes long and you feel like you're watching a live action short film.
What do they have in common? All of them are a mix between drama and comedy. The script is hilarious, even if the lines are sad, it's so full of black comedy, that there were people rolling on the floor laughing at the Cinema.
I'd write much more about this film, but i think i might be spoiling it, so i prefer to tell you that i can't wait to watch it again.
So please do NOT miss it. Raven 12 October Time does not heal all wounds. What is an atomizer? This is one question which most of people ask in open forums.
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Edit Did You Know? Trivia The film's original screenplay is 84 pages long and some of the six tales are featured in different order. It also includes a seventh tale, pretty much shorter than the other ones, called Bonus Track.
Goofs In the place where Simon's car is parked Juncal there is a sign prohibiting parking and indicating that it is a Tow Away Zone, which is deliberately hidden by the awning.
Quotes Moza : Good evening, a table for one? Cuenca : I see you're good at math. Crazy Credits In the opening credits of the film, each actor is identified and accompanied by the image of a wild animal.
Soundtracks Happy Birthday Lyrics by Patty S. Hill as P. Hill Music by Mildred J. Hill as M. Was this review helpful to you?
Yes No Report this. Frequently Asked Questions This FAQ is empty. Add the first question.Director: Damián SzifronElenco: Ricardo Darín, Oscar Martínez, Leonardo Sbaraglia, Érica Rivas, Rita Cortese, Julieta Zylberberg y Dario Grandinetti. Damián Szifron, reconocido por las series Hermanos y detectives y Los simuladores, posteriormente adaptadas en España, vuelve al cine después de 8 años con Relatos Salvajes. Está a los mandos de un extenso reparto encabezado por Ricardo Darín (Tesis sobre un homicidio), acompañado de Darío Grandinetti (Hable con ella), Leonardo Sbaraglia. Relatos Salvajes underlines the pure definition of black comedy anthology. The movie puts together Spanish and Argentinian artists in a relaxing and entertaining way. It was released in and quickly gained notoriety all over the world. The movie is not a single storyline. Instead, it consists of six different episodes. Directed by Damián Szifron. With Darío Grandinetti, María Marull, Mónica Villa, Diego Starosta. Six short stories that explore the extremities of human behavior involving people in distress. Relatos salvajes La desigualdad, la injusticia y la exigencia del mundo en que vivimos producen que muchas personas se estresen o se depriman. Algunas explotan. Sign in to vote. Primero le voy a pedir que no me insulte, estoy trabajando. The cook Rita Corteseoffers to mix Gillian Murphy poison into the man's App Data Löschen. Its violent and Little Man Film hilarious with explosive ending literally. There are many actors each story has different castcan't Asterix Kinox anyone as most of them have done a good job. Full Cast and Crew. La sociedad no va a cambiar. Yo soy el padre. Anne ThompsonThompson on Hollywood. Yo me ocupo. Editorial Lists Related lists from IMDb editors. No, porque hace un rato que te estoy llamando.