Cowboy Bebop | Manga & Anime in großer Auswahl bei Elbenwald kaufen, kostenloser Versand ab 20 EUR in Deutschland. Eine zusammengewürfelte Truppe von Kopfgeldjägern ist den gefährlichsten Verbrechern der Galaxie auf den Fersen. Sie retten die Welt – solange die Kohle. Cowboy Bebop ist ein Anime des Studios»SUNRISE Inc.«mit dem Hauptgenre Action. Beschreibung: Die Erde ist wegen eines Meteoritenhagels schon.
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A disease? Soon, only Spike and Ed are left to deal with this dangerous creature. Faye's abandoned the Bebop Meanwhile, Spike sets off on his own to find his long-lost love, Julia, but only after a big fight with Jet.
Elsewhere, Faye finds company with a strange man named Gren in the town of Blue Crow, a place without women.
All roads lead to Vicious as Spike searches for Julia, Jet tracks down Faye and Faye confronts Gren. But as Spike looks desperately for clues, Julia is nowhere to be found.
Gren may have some answers, but Spike will have to get to him before it is too late. Tollbooths at the interstellar travel gates have become the scene of high-tech robberies, and there's a large bounty for the culprit.
The Bebop's crew pools its information and tries to track down the mastermind behind all this, but their only clue is a seemingly worthless chess piece.
Faye is brash, reckless and sometimes uncouth. But who is Faye Valentine, really? Even she doesn't know. All she knows is that her story began over fifty years ago.
A riot on a prison ship reunites Jet with a partner from his days with the ISSP. The prisoner in charge is the one responsible for the damage to Jet's arm.
Now Jet--the Black Dog--has a score to settle. And once the Black Dog bites, he doesn't let go. The Bebop is out of fuel, the crew is out of cash and now Driven by hunger, Ed and Ein set off on a search for food and wind up in the middle of the strangest bounty hunt yet.
What can a thirteen-year-old genius and a data dog do against their adversaries? A package comes for Faye - C. Since she's not around to open it, Spike and Jet take the liberty of seeing what's inside.
The contents of the package lead them to the ruins of the Earth While Spike's away getting his ship overhauled, Jet and the others go after a group of criminals called the "Starship Pirates," known for stealing anything and everything.
It should be an easy job, but it turns out that they're a group of hackers. Will Spike arrive in time to lend a hand? The gang is on the trail of a killer named Mad Pierrot.
Spike Spiegel : What? Vicious : A ravenous beast. The same blood runs through both of us. The blood of a beast who wanders, hunting for the blood of others.
Spike Spiegel : I've bled all that kind of blood away. Vicious : THEN WHY ARE YOU STILL ALIVE? Crazy Credits In the last episode, a scene of a field of stars is shown.
After the song "Blue" finishes playing a star goes out, a la what the Indian mystic said happens when a soul is put to rest.
Alternate Versions In Session 8: Waltz For Venus, there was a scene where Faye Valentine breaks into a hotel room to look for a man named Piccaro and finds two men sharing a hotel bed.
On Cartoon Network, the second man was digitally removed and replaced with a pillow. User Reviews Superbly styled anime 22 July by hyperexcel — See all my reviews.
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Edit Details Country: Japan. Language: Japanese English. Filming Locations: New York City, New York, USA. Runtime: 24 min. Sound Mix: Dolby Dolby Dolby TrueHD 5.
Color: Color. Edit page. Add episode. Clear your history. Spike Spiegel 26 episodes, Jet Black 26 episodes, Faye Valentine 25 episodes, Instead of creating a new subtitle, the team settled with using " The Movie ",  though a November rerelease of the film by Funimation features the original subtitle.
It was jointly released in the United States by Sony Pictures through their Destination Films label and Samuel Goldwyn Films and internationally by Tristar Pictures.
During its initial screening at the event, it sold out completely, prompting a second screening later in the event. In celebration for the 20th Anniversary of the series in , the film was shown in United States theaters by Funimation Films on August 15, with Japanese audio and English subtitles, and on August 16, with the English dub.
The website's critical consensus reads, "This may be strictly for anime junkies, but they'll find much to like about Cowboy Bebop ' s casual violence and cool dialogue.
Critic reviews have generally been positive. Andy Patrizio of IGN gave the film a score of 9 of 10, saying that the developers "did a superb job of fleshing out the story", as well as praising it for "not succumbing to melodrama like many of its live-action counterparts".
He also commented that the film's subject matter of terrorism in the face of the September 11 attacks "smacked way too close to home".
The music also received praise. His main criticism stemmed from the fact that Jet, Faye and Ed were relegated to supporting roles, and that it was difficult getting them all into the story.
He also said that the team had outdone themselves with the animation quality in a few scenes, such as the final fight between Spike and Vincent.
Lawrence van Gelder of The New York Times gave the film a mixed review, saying that he enjoyed the experience, but found it a little frivolous when compared to both its subject matter and events at the time.
His ultimate impression from the English-dubbed version was that the film could easily have been set in present-day New York.
The most praise went to the use of live-action camera angles. Though he found the film's story sometimes slowed noticeably, the soundtrack and visual references to other notable action films made it "an example of anime at its very best.
Others, including the Toronto Star and Newark Star-Ledger , noted its connection to science fiction films. Sunrise and Bandai Visual underestimated the possible sales, with the first print being used up soon after release, prompting a second print for mid-February.
Beveridge generally praised the DVD's quality and extras were generally praised, summing it up as a "top notch release". From Wikipedia, the free encyclopedia.
Theatrical release poster. Masuo Ueda Masahiko Minami Minoru Takanashi. Sunrise Bones animation production Bandai Visual.
Release date. Running time. Main article: Cowboy Bebop characters. Main article: Music of Cowboy Bebop. British Board of Film Classification.
Retrieved January 22, Box Office Mojo. Retrieved May 29, Archived from the original on November 17, Retrieved June 1, Retrieved January 31, Archived from the original on January 12, The Animatrix official website.
Archived from the original on January 2, Retrieved January 19, Cowboy Bebop: The Movie DVD. Culver City, California : Columbia TriStar Home Entertainment.
Anime Invasion. Wizard 5. Cowboy Bebop: The Movie website English. Archived from the original on March 7, Retrieved January 6, The streets of celestial objects such as Ganymede resemble a modern port city , while Mars features shopping malls, theme parks, casinos and cities.
Cowboy Bebop ' s universe is filled with video players and hyperspace gates, eco-politics and fairgrounds, spaceships and Native American shamans.
The characters were created by Watanabe and character designer Toshihiro Kawamoto. Watanabe envisioned each character as an extension of his own personality, or as an opposite person to himself.
The show focuses on the character of Spike Spiegel , with the overall theme of the series being Spike's past and its karmic effect on him.
He was originally going to give Spike an eye patch, but the producers vetoed it. Jet is shown as someone who lost confidence in his former life and has become cynical about the state of society.
Edward and Ein were the only main characters to have real-life models. The former had her behavior based on the antics of Yoko Kanno as observed by Watanabe when he first met her.
Cowboy Bebop was developed by animation studio Sunrise and created by Hajime Yatate , the well-known pseudonym for the collective contributions of Sunrise's animation staff.
Other leading members of Sunrise's creative team were screenwriter Keiko Nobumoto , character designer Toshihiro Kawamoto , mechanical art designer Kimitoshi Yamane , composer Yoko Kanno , and producers Masahiko Minami and Yoshiyuki Takei.
Most of them had previously worked together, in addition to having credits on other popular anime titles. Nobumoto had scripted Macross Plus , Kawamoto had designed the characters for Gundam , and Kanno had composed the music for Macross Plus and The Vision of Escaflowne.
Yamane had not worked with Watanabe yet, but his credits in anime included Bubblegum Crisis and The Vision of Escaflowne. Minami joined the project as he wanted to do something different from his previous work on mecha anime.
Cowboy Bebop was Watanabe's first project as solo director, as he had been co-director in his previous works. He explained, "the first image that occurred to me was one of Spike, and from there I tried to build a story around him, trying to make him cool.
Some of the staff were unhappy about this approach as a continuation of the series would be difficult. While he considered altering the ending, he eventually settled with his original idea.
The project had initially originated with Bandai 's toy division as a sponsor, with the goal of selling spacecraft toys.
Watanabe recalled his only instruction was "So long as there's a spaceship in it, you can do whatever you want. Believing the series would never sell toy merchandise, Bandai pulled out of the project, leaving it in development hell until sister company Bandai Visual stepped in to sponsor it.
Since there was no need to merchandise toys with the property any more, Watanabe had free rein in the development of the series.
While some of them were doubtful of that at the time, Watanabe many years later expressed his happiness to have been proven right in retrospect.
He joked that if Bandai Visual hadn't intervened then "you might be seeing me working the supermarket checkout counter right now. The city locations were generally inspired by the cities of New York and Hong Kong.
The animation staff established the particular planet atmospheres early in the production of the series before working on the ethnic groups. It was Watanabe who wanted to have several groups of ethnic diversity appear in the series.
Mars was the planet most often used in Cowboy Bebop ' s storylines, with Satoshi Toba, the cultural and setting producer, explaining that the other planets "were unexpectedly difficult to use".
He stated that each planet in the series had unique features, and the producers had to take into account the characteristics of each planet in the story.
For the final episode, Toba explained that it was not possible for the staff to have the dramatic rooftop scene occur on Venus , so the staff "ended up normally falling back to Mars".
In spite of certain American influences in the series, he stipulated that the country had been destroyed decades prior to the story, later saying the notion of the United States as the center of the world repelled him.
The music for Cowboy Bebop was composed by Yoko Kanno. The genres she used for its composition were western, opera and jazz. He stated, "She gets inspired on her own, follows up on her own imagery and comes to me saying 'this is the song we need for Cowboy Bebop ,' and composes something completely on her own.
She was pleased with the working environment, finding the team very relaxed in comparison with other teams she had worked with.
Watanabe further explained that he would take inspiration from Kanno's music after listening to it and create new scenes for the story from it.
These new scenes in turn would inspire Kanno and give her new ideas for the music and she would come to Watanabe with even more music.
Watanabe cited as an example, "some songs in the second half of the series, we didn't even ask her for those songs, she just made them and brought them to us.
Watanabe described his collaboration with Kanno as "a game of catch between the two of us in developing the music and creating the TV series Cowboy Bebop ".
Cowboy Bebop debuted on TV Tokyo , one of the main broadcasters of anime in Japan, airing from April 3 until June 26, Later that year, the series was shown in its entirety from October 24 until April 24, , on satellite network Wowow.
The first non-Asian country to air Cowboy Bebop was Italy. There, it was first shown on October 21, , on MTV , where it inaugurated the 9.
In the United States, Cowboy Bebop was one of the programs shown the night Cartoon Network 's late night block Adult Swim debuted on September 2, , being the first anime shown on the block.
It has been run at least once every year since , and HD remasters of the show began broadcasting in In the United Kingdom it was first broadcast in as one of the highlights of the "cartoon network for adults", CNX.
From November 6, , it was repeated on AnimeCentral until the channel's closure in August In Australia, Cowboy Bebop was first broadcast on pay-TV in on Adult Swim in Australia.
It was broadcast on Sci Fi Channel on Foxtel. In Australia, Cowboy Bebop was first broadcast on free-to-air-TV on ABC2 the national digital public television channel on January 2, In Canada, Cowboy Bebop was first broadcast on December 24, , on Razer.
In Latin America, was first broadcast on pay-TV in on Locomotion. It is retransmitted from January 9, on I. Sat Adult Swim block. The first release was sold in VHS format either as a box set or as seven individual tapes.
The tapes were sold through Anime Village, a division of Bandai. The second release was sold in individually, and featured uncut versions of the original 26 episodes.
In , these DVDs were collected in the special edition Perfect Sessions which included the first 6 DVDs, the first Cowboy Bebop soundtrack, and a collector's box.
At the time of release, the art box from the Perfect Sessions was made available for purchase on The Right Stuff International as a solo item for collectors who already owned the series.
The third release, The Best Sessions , was sold in and featured what Bandai considered to be the best 6 episodes of the series remastered in Dolby Digital 5.
The fourth release, Cowboy Bebop Remix , was also distributed on 6 discs and included the original 26 uncut episodes, with sound remastered in Dolby Digital 5.
This release also included various extras that were not present in the original release. A fourth release in Blu-ray format was released on December 21, exclusively in Japan.
In December , newly founded distributor Anime Limited announced via Facebook and Twitter that they had acquired the home video license for the United Kingdom.
Part 1 of the Blu-ray collection was released on July 29, , while Part 2 was released on October The standard DVD Complete Collection was originally meant to be released on September 23, with Part 2 of the Blu-ray release but due to mastering and manufacturing errors, the Complete Collection was delayed until November Two Cowboy Bebop manga series have been released, both published by Kadokawa Shoten and serialized in Asuka Fantasy DX.
A Cowboy Bebop video game, developed and published by Bandai,  was released in Japan for the PlayStation on May 14, However, in January , IGN reported that the release had likely been cancelled, speculating that it did not survive Bandai's merger with Namco to Bandai Namco Games.
On July 22, , If published an article on its website regarding a rumor of a live-action Cowboy Bebop movie in development by 20th Century Fox. Producer Erwin Stoff said that the film's development was in the early stages, and that they had "just signed it".
This was lauded by various sources as a promising move for the potential quality of the film. The submitted script was sent back for rewrite to reduce the cost and little has been heard about it since an interview with producer Joshua Long on October 15, ;  the project currently languishes in development hell.
On October 25, , series director Watanabe was asked about the live-action film at the MCM London Comicon. He stated: "I'm afraid I don't know what they're thinking in Hollywood.
Apparently the project hasn't come to a stop but I don't know how it's going to progress from here on. I hear that there are a lot of 'Hollywood' problems.
On June 6, , it was announced that an American live-action adaptation of the series was being developed for television by Tomorrow Studios, a partnership between Marty Adelstein and Sunrise Inc.
An official side story titled Cowboy Bebop: UT tells the story of Ural and Victoria Terpsichore V. The story was available in its own official site, however the website was closed and is currently available at the site mirror.
Cowboy Bebop received unanimous acclaim, beginning at the time of its initial broadcast. Beginning in , Japanese critic Keith Rhee highlighted the series as a standout in an otherwise "run-of-the-mill" season, praising its overall production values, and singling out Kanno's soundtrack as "a much-welcome change from all the sugary J-pop tunes of most anime features".
Rhee also highlighted the show's Japanese "all-star cast",  which his colleague Mark L. Johnson described as being filled with "veteran voice talent", turning in even greater performances than those of their "above average" US counterparts.
He claimed the series was "one of the most popular and respected anime titles in history", before adding that it was "a unique television show which skillfully transcends all kinds of genres".
Crandol praised its characters as "some of the most endearing characters to ever grace an anime", and commended the voice acting, especially the "flawless English cast".
He also complimented the series' "movie-quality" animation, "sophisticated" writing, and its "incredible" musical score. Crandol hailed Cowboy Bebop as a "landmark" anime "that will be remembered long after many others have been forgotten", and went on to call it "one of the greatest anime titles ever".
Anime Reviews gave the entire series a perfect score of 5 out of 5 stars, with reviewer Christina Carpenter believing Cowboy Bebop as "one of the best [anime]" and touting it as a masterpiece that "puts most anime She described it as a "very stylish, beautifully crafted series that deserves much more attention than it gets".
Carpenter praised the animation as "a rarity and a marvel to behold" and that it was "beyond superb", and the plot and characterization as having "a sophistication and subtlety that is practically one-of-a-kind".
She also praised the soundtrack, and hailed the opening theme as one of the best intro pieces she had ever heard.
Carpenter went to say that Bebop was a "must-have for any serious collector of Japanese animation". Dick came up with during a wild, all-night whiskey bender.
First-time solo director Watanabe had created a gorgeous tale of morality, romance, and violence—a dark look at the lives of outlaws that's shot like an independent film.
In January , television writer Kyle Mills of DVD Talk awarded the series five stars upon review. He stated, "Regardless of the medium, be it live action television, film, or animation, Cowboy Bebop is simply one of the finest examples of storytelling ever created.
He closes by writing, " Cowboy Bebop ends with a bang. In his review of the series, Paste critic John Maher wrote, "It feels like a magnum opus produced at the pinnacle of a long career despite being, almost unbelievably, Watanabe's first series as a director.
It is a masterwork that should justly rank among the best works of television of all time. The website's critical consensus reads, "Blending a head-spinning array of genres and references, Cowboy Bebop is an anime television classic that must be experienced.
In the Anime Grand Prix awards for the anime of , Cowboy Bebop won two 1st place awards: Spike Spiegel was awarded the best male character ; and Megumi Hayashibara was awarded the best voice actor for her role as Faye Valentine.
Cowboy Bebop also received rankings in other categories: the series itself was awarded the 2nd best anime series ; Faye Valentine and Ed were ranked the 5th and 9th best female characters respectively; "Tank!
In the Anime Grand Prix awards for the anime of , Cowboy Bebop won the same two 1st place awards again: best male character for Spike Spiegel; and best voice actor for Megumi Hayashibara.
Other rankings the series received are: 2nd best anime series; 6th best female character for Faye Valentine; 7th and 12th best song for "Tank!
A poll in Newtype USA , the US edition of the Japanese magazine Newtype , asked its readers to vote the "Top 25 Anime Titles of All Time"; Cowboy Bebop ranked 2nd on the list after Neon Genesis Evangelion , placing it as one of the most socially relevant and influential anime series ever created.
Cowboy Bebop has been featured in several lists published by IGN. The series has been subject to study and analysis since its debut, with the main focus being on its style and mixture of genres.
Miguel Douglas, describing the series style in a review, said that "the series distinctly establishes itself outside the realm of conventional Japanese animation and instead chooses to forge its own path.
With a setting within the realm of science fiction , the series wisely offers a world that seems entirely realistic considering our present time.
Free from many of the elements that accompany science fiction in general—whether that be space aliens , giant robots , or laser guns —the series delegates itself towards presenting a world that is quite similar to our own albeit showcasing some technological advances.
Certainly not as pristine a future we would see in other series or films, Cowboy Bebop decides to deliver a future that closely reflects that of our own time.
This aspect of familiarity does wonders in terms of relating to the viewer, and it presents a world that certainly resembles our very own.
Unlike many anime titles, viewers weren't expected to have knowledge of Asian culture —character names, signs, and the like were primarily in English to begin with—or have seen any other anime series prior.
In March , the print and web editions of The Onion ' s The A. Club called Cowboy Bebop "rightly a huge hit", and listed it as a gateway series to understanding the medium of anime as a whole.
It even approached its music differently. The show kicked off with a wormhole of a theme song, and the soundtrack moves so seamlessly through genres, from rock to country to pop to jazz to funk, it's shocking to learn that one set of musicians is behind it all".